Author Archives: John Kerridge

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About John Kerridge

I have a camera, drink tea and trip on untied shoe​ laces.

I AM HUNGER FILM

13 million people in the UK currently live below the poverty line, which is the combined population of London, Birmingham, Bristol, Manchester & Glasgow. Currently, under production, I Am Hunger is a film that will celebrate the vital work of individual volunteers, self-funded charities and community groups engaged in defending those most vulnerable citizens who find themselves hungry and without shelter. The film will also explore some of the route causes and possible solutions to the steep rise in poverty and homelessness, but ultimately this movie is about you and what you can do given the first step towards change is the one you decide to take.

Anthony Tombling Jr is the director of the film. Anthony is currently a self-funded independent filmmaker. Anthony first started producing music videos before moving into Documentary. Anthony originally comes from a music background. Some of Anthony’s musical work can be heard on the original Ex Machina soundtrack, which won 2016, Ivor Novello. Anthony is now concentrating on making documentary films that cover social issues affecting communities. His latest film A River follows the impact of a license to frack upon a much-loved river in Wales. Narrated by celebrated actor Michael Sheen OBE, the film has already been well received on the independent film festival circuit and was a feature at last year’s East End Film Festival. The film was also screened at the Houses of Parliament in Westminster and the Welsh Assembly in Cardiff, taking the community’s story into the heart of British politics. Anthony’s work can be further explored here: unit3films.com

My Role

The artists and creative narrative for this film project are rightly with Anthony. My expertise is used to undertake research into the issues and the people who will ultimately be part of the movie. I also explore investment opportunities, establish the social media platforms, develop awareness campaigns of the film and provide overall project management of the project. Further information on the project can be found here

“In the city there’s a thousand things I want to say to you, but whenever I approach you, you make me look a fool. I wanna say, I wanna tell you about the young ideas, but you turn them into fears. In the city there’s a thousand faces all shining bright and those golden faces are under 25. They wanna say, they gonna tell ya about the young idea. You better listen now you’ve said your bit-a. And I know what you’re thinking. You’re sick of that kind of crap, but you’d better listen man because  the kids know where it’s at. In the city there’s a thousand men in uniforms. And I’ve heard they now have the right to kill a man. We wanna say, we gonna tell ya about  the young idea and if it don’t work, at least we still tried In the city, in the city. In the city there’s a thousand things I want to say to you.”  John Paul Weller, In the City, 1977.

Here in the UK, we manage to produce more than 100 million tonnes of waste every year. In less than two hours, the waste we produce would fill the Albert Hall in London, every eight months it would fill Lake Windermere, the largest and deepest lake in England. The cost of cleaning up all that litter costs taxpayers almost a billion pounds every year.£1billion would fund 38,644 social care workers or pay the running costs of 4,400 libraries. Alternatively, it would enable the NHS to pay for 33,200 nurses or 26,900 paramedics or allow the fire brigade to fund 31,990 extra firefighters each year. The £1billion spent on cleaning our streets could pay for 704,200 elderly household electricity and gas bills for a year or pay for one billion free school dinners – more than enough for every primary school child in England for a year. The money could be invested in the green economy to help support more sustainable and healthy ways of life.  Help make more than 333,000 homes more energy efficient or create more than 193,000 community food growing spaces.

I AM HUNGER: FILM TRAILER

I Am Hunger is a film, which is in production about some of the outstanding and vital work some of the self-funded independent charities carry out feeding the most vulnerable in society. It is estimated 20% of the UK currently live below the poverty line. That is 13 million people. The combined population of London, Birmingham, Bristol, Manchester & Glasgow. You can follow the making of the film at I AM HUNGER and do something really simple, but profound by sharing this information.

“Afternoon boss.” I smile, acknowledge the welcome with a slight nod of the head and sit down. There are 2 people before me and the 3 chairs are already occupied. Intermittent silence is broken with idle chat concerning a variety of subjects, cars, football, local curiosity, disputes, and hearsay. Men getting their haircut can be a curious ritual, but one passed down from father to son.

The bicycle is dismounted, trouser clips, helmet and boots are removed unceremoniously, a warm greeting offered. We immediately venture into the kitchen for lunch. My pet dog Poppy makes a fuss and seeks attention. Ralph’s head is full of the book he has just completed, which has taken him six years to complete and is the first in a trilogy.  Ralph Hoyte is a Bristol-based writer and poet whom I have known for almost two decades. He readily poses for the session and to elicit the impact of the different shots I asked him a variety of questions to reflect upon, some humourous and others not so. If you would like to find out more about Ralph’s work then click (here).

Today I stumbled upon Hugar

A beautiful collection of songs from Iceland. Hugar are Bergur Þórisson & Pétur Jónsson. Haunting and uplifting tunes, which provides an evocative soundscape to relax too. Þórisson & Jónsson have been playing together for many years in all kinds of different bands but in early 2012 they decided to form a group of their own where they could experiment.

The album is available on Bandcamp on a name your own price basis. The other instrumentalists are, Ólafur Arnalds – Drums, Pétur Björnsson – Violin, Sólveig Vaka Eyþórsdóttir – Violin, Guðbjartur Hákonarson – Viola, Hrafnhildur Marta Guðmundsdóttir – Cello, Björgvin Ragnar Hjálmarsson – Clarinet and bass clarinet.

Sniffing and Spoofing

At the core of the digital world sits a new generation of electronic gatekeepers: a mixture of highly sophisticated computer algorithms tended and programmed by a small cadre of elite technocrats who determine what we see in the online world.  In 2010 the stock exchange suffered a ‘flash crash’ when shares fell by 6 percent in 5 minutes. The crash was caused by trading algorithms. Trading algorithms are now so sophisticated they can feed on each other’s intentions and try to trick each other into making buys or sells favorable to the companies that unleashed the algorithms in the first place. Some trading algorithms, for example, can detect the electronic signature of what is called a V-WRAP (Volume-Weighted Average Price.) This important because V-WRAP’s are a trading benchmark used especially in pension plans, so they are relevant to the overwhelming majority of people. The detecting of the electronic signature is nicknamed ‘algo-sniffing’ and can earn its owner substantial sums: if the V-WAP is programmed to buy particular shares, the algo-sniffing program will buy those shares faster than the V-WAP, then sell them to it at a profit. Whatever the ethics, algo-sniffing is legal. Some trading algorithms are specifically designed to fool other trading algorithms. This process is called ‘spoofing.’ A spoofer might buy a block of shares and then issue a large number of purchase orders for the same shares at prices just fractions below the current market price. Human traders would then see far more orders to buy the shares in question than orders to sell them and likely to conclude that their price was going to rise. They might then buy the shares themselves, causing the price to rise. When it did so, the spoofer would cancel its buy orders and sell the shares it held at a profit. It’s very hard to determine just how much of this kind of thing goes on, but it certainly happens. In October 2008, for example, the London Stock Exchange imposed a £35,000 penalty on a firm (its name has not been disclosed) for spoofing.