13aX: Unquietly

The second instalment of the 13aX journey on Irregular Patterns. This track is called Unquietly. Loaded with chill out vibes and the continual search for a lost soul.

Open Memory Box

This website is simply quite beautiful in curation and content. The largest homemade collection of 8mm celluloid film captures both a time, but also people loving life from the defunct German Democratic Republic. Click on the anti-archive link and just get lost in individual stories. This is the link to the full website

Sharing Stories

Street photography to me is about telling a story. An imagine should be the doorway of the imagination. A place where the viewer is allowed to beg the question and determine the answer. As two elderly men stand outside of a large house in St. David’s, Wales what is their story?

Irregular Patterns

Ideas that lay dormant evaporate into the ether of well-meaning intentions (what-ifs). The constraints of the pandemic lockdown also freed up time and space to revisit and explore my long list of what-ifs. Hidden amongst them was the concept of Irregular Patterns, albeit the idea did not have that name. That came much later. I’ve been fortunate, very fortunate, to enjoy a life that has allowed me to work in the creative areas I love. Music and live performance.

Having experienced first-hand the struggles many of my musician mates were facing even before the onset of pandemic lockdowns, given the ongoing imbalance in revenue share from streaming. Even the more experienced musicians came with stories of being ripped off by various business interests from shifty managers, record companies and the constant ask to perform for nothing. The foundations to one of our greatest exports to the world, music, are increasingly threadbare, wallowing in exploitation.

A chance discussion with a local musician, Gavin McClafferty, brought the focus, vision and grit needed to move these ideas from concept to delivery. Irregular Patterns was born, not just a record label but a creative hub formed around the artist. In less than one year, we sit on the brink of IP issuing its first release, developing a roster and release schedule for the remainder of the year. The help, input and encouragement, so far, has been humbling, to say the least. Whatever this journey brings, I will be forever grateful.

I’m not going to repeat what you can access and read here. The manifesto for IP is the foundation. Being the change we want to see in the music industry is our essential, faltering first step. The journey has not been easy; in fact, some obstacles have needed to be knocked down. More importantly, it was the leap of faith, risk-taking, and realisation that we are in the happy business after all.