That little piece of wasteland on Bath Road (Totterdown) that captures the eye as you pass it by and is occasionally occupied by the travelling community with their array of small caravans, open fires, and washing lines. The home of Scott Buchanan Barden’s mural, which depicts the Bristol Uprising (Riots) of 1831is witnessing its final days. The political overtures are being devoured by space invaders, star wars and a baseball cap wearing bulldog on a skateboard. There is no questioning the artistic capabilities of those currently at work on the site as I witness the fading of yesterday, but just my reflection of the connections between past, current and future struggles will be lost. It’s sad to see Barden’s mural slowly vanish while recognising and accepting the inevitability. In ten years time though I ask myself will people on the Number 1 bus, as they crawl past, still be looking at a space invader, star wars and a baseball cap wearing bulldog on a skateboard mural in the same way I have looked at Barden’s mural, I think not, but then again will it really matter and is it important?
Last day of the month, attending and taking photographs at the launch of Bristol Hate Crime & Discrimination Services. As well as being for victims of any type of hate crime the service now brings in legal advocacy, restorative approaches, mediation and conflict resolution services for dealing with hate and discrimination. Further information on the service can be found here and more photographs from the event can be found by clicking on this link.
The event consisted of informative talks from civic leaders, charitable and statutory organisations, as well as performances from the Brandon Trust, which is a charity supporting adults and children with learning disabilities and autism. Bristol City’s Poet Laureate Miles Chambers, singer Anthony Thegeya and St. Paul’s Carnival CIC.
As from 2018, I will be taking over the role of Area Organiser for the West Holts Stage, Glastonbury Festival. In a nutshell, my role is to project manage and oversee the delivery of an audience engaged, enjoyable and safe stage at the festival. I’ve been involved in the stage for 15 years, as well as being a regular photographer at the festival. I start with a great legacy and an amazing crew who work tirelessly behind the scenes to give Glastonbury goers a unique experience. I will do my utmost to honour and build on those who have built an amazing stage for future generations.
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Caudal is a trio featuring Aidan Baker on guitar, Gareth Sweeney on bass, and Felipe Salazar on drums. Baker’s multi-layered, heavily affected guitar overlays Sweeney and Salazar’s driving, propulsive rhythm section creating music equally influenced by krautrock, post-punk, and spacerock. Their debut album “Forever In Another World” was released in April 2013 by Oaken Palace Records. Their second album “Ascension” was released on Consouling Sounds in 2014.