February 2021 and it will be 50 years since the release of properly one of the greatest rock albums EVER. Tago Mago, by Can was recorded during November 1970, built around experimental sessions blending Jazz, Funk, tape editing and sampling, avant-grade. Released during February 1971 it was the band’s first album to feature Damo Suzuki after the 1970 departure of vocalist Malcolm Mooney.
One of the cool things about being a year older than most of the kids on the street I was brought up in 1968, was the difference between wanting a replica Chitty Chitty Bang Bang or the iconic Mustang drove by Steve McQueen in Bullitt. Both films were released in 1968, I was 8, and very much appreciated that I got both. One for my birthday and one for Christmas, only the Chitty Chitty Bang Bang survives to this day in a well- battered form, but what of that Mustang!
By the 1970s a whole sway of films featured iconic cars. In 1972s blaxploitation film Super Fly we had the Cadillac Eldorado, grotesquely named ‘the pimp machine’. James Bond drove and spun over a river in his AMC Hornet, 1974’s The Man with the Golden Gun. in 1977 Burt Reynalds had kicked off his Smokey and the Bandit franchise, which often featured the Pontiac Trans Am. But nothing compared to McQueen’s Mustang, not even (sacrilege) James Bonds, Aston Martin DBS. which made an appearance in Sean Connery’s last great Bond film Diamonds are Forever.
McQueen always, to me, cut the cool maverick anti-hero in his Ford Mustang GT Fastback and before videos, DVD’s, satellite and cable this impatient youngster would endure the whole film just to watch the mesmerising car chase through San Francisco.
Plenty of people have lusted over that Highland Green Mustang, which has over-time achieved legendary status. Although it was not until much later that I fully appreciated Lao Schifrin’s original score that tracks the various moods and action of the film to perfection. It took until 2009 for the never-before-released original recording of the score, as heard on the movie, to be made available.
My tribute to McQueen’s Ford Mustang GT Fastback is the Shelby (Cobra) GT-350, built between 1965 and 1970 by the American the high-performance vehicle manufacturer founded by former racing driver Carroll Shelby. The most famed car in American cinema, sold for $3.4 million at auction in Florida during 2020.
Unreal brings texted vocals and beats to the mix. As one observer suggests Cuts are, “The sound of a world collapsing and it is sublime.” I could not put it better myself. The person behind the Cuts project is Anthony Tombling Jr.
Anthony’s work also ventures into the world of the visual arts, film-making and contributing to film soundtracks. Unit 3, where his film output materialises is a treasure trove of creative collaborations with community and campaign groups, as well as the likes of Alan Moore, Michael Sheen, Beak> and Massive Attack. The sublime soundtrack to the film Ex-Machina on Invada Records features Cut’s goose pimple raising Bunsen Burner track. A track that also brought the TV series ‘Person of Interest’ to its finale.
The Dinky model I used in this piece is from around 1951/2 and is not for sale given it already has an owner. The real Trojan vans, by the way, were manufactured in Croydon, London. They used diesel and petrol engines, as well as a revolutionary electric-powered version in 1951 known as the ‘Electrojan’. It may be difficult to comprehend that 70 years ago our grandparents were ahead of their time when it comes to alternatives to fossil fuel but, they did.