Author Archives: John Kerridge

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About John Kerridge

I have a camera, drink tea and trip on untied shoe​ laces.

Today I Stumbled Upon: 1.2.3…..

Three 2017 releases, which have brought a smile to my face.

One: The No Action debut album finally arrived.  Originating from Australia, No Action have delivered an Intense, lo-fi album reminiscent of a vintage 4 track deck cassette recording of a rehearsal held in a vacated industrial estate. A thing of beauty, which collects material from over a five year period and is limited to 250 pressing, or download.

Two: While we take stock of the dangerous clown occupying the Whitehouse helping to restore a bit of confidence in the land of the free this December we had a further mini-release from Mouth Reader. Eyes Sink adds to their conveyor belt of catchy punk releases. A glorious racket delivered in just under 3 minutes. Perfectly formed.

Three: Martha properly the best pop/punk band to emerge from my native North East for many a long cold night continue to set a high bar. 2014s Courting Strong and 2016s Blisters in the Pit of my Heart album releases are still subject to heavy rotation. Mini-release The Winter Fuel Allowance arrived in November. The 7″ limited release may be sold out, but you can still snatch a download.

Enjoy the noise.

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Blue not burgundy is the new black

There is a crucial moment in the first Matrix film when the character Neon is presented with a life-changing choice by Morpheus between taking a red or blue pill“You take the blue pill, You wake up in your bed and believe whatever you want to believe. You take the red pill, you stay in Wonderland.” For those not familiar with the Matrix films the term red pill refers to a human who is aware of the true nature of the Matrix. There is a myth, which persists in the minds of some people in U.K. that the European Union forced the U.K. to change the colour of its passports from blue to burgundy and by regaining the original blue passport is a mark of national identity, sovereignty and taking back control. In the comedy of errors that has become the U.K these things matter to somebody, somewhere, for some reason for which I am not entirely sure. These are the people who have swallowed the blue pill.  Those who have taken the red pill know the British government voluntarily switched the colour of our passports in the 1980s and the EU has never had the power to force member states to change the colour of their passport.

The “news story’ about the colour of our passport is what many would call a politically manufactured distraction or spin after another terrible week for the sitting zombie government in the U.K, which slips and slides from one crisis to another. Meanwhile, properly one of the most progressive-left opposition sit waiting in the wings to deliver a killer blow. To early and Labour will be left picking up the mid-negotiation mess, much better to wait until the next round of negotiations is well underway. This will give an incoming Labour Government, which will not used to the rigours of a free-market economy as enshrined in EU treaties and law to intervene more radically in the economy. It’s not the type of ‘taking back control’ the Brexiters had in mind, but how ironic it would be. PS: The original colour of the British passport was black. Carry on swallowing the pills. 

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THE FADING ART OF YESTERDAY

That little piece of wasteland on Bath Road (Totterdown) that captures the eye as you pass it by and is occasionally occupied by the travelling community with their array of small caravans, open fires, and washing lines. The home of Scott Buchanan Barden’s mural, which depicts the Bristol Uprising (Riots) of 1831is witnessing its final days. The political overtures are being devoured by space invaders, star wars and a baseball cap wearing bulldog on a skateboard. There is no questioning the artistic capabilities of those currently at work on the site as I witness the fading of yesterday, but just my reflection of the connections between past, current and future struggles will be lost. It’s sad to see Barden’s mural slowly vanish while recognising and accepting the inevitability. In ten years time though I ask myself will people on the Number 1 bus, as they crawl past, still be looking at a space invader, star wars and a baseball cap wearing bulldog on a skateboard mural in the same way I have looked at Barden’s mural, I think not, but then again will it really matter and is it important?

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Launch of the Bristol Hate Crime & Discrimination Services

Last day of the month, attending and taking photographs at the launch of Bristol Hate Crime & Discrimination Services. As well as being for victims of any type of hate crime the service now brings in legal advocacy, restorative approaches, mediation and conflict resolution services for dealing with hate and discrimination. Further information on the service can be found here and more photographs from the event can be found by clicking on this link.

 

The event consisted of informative talks from civic leaders, charitable and statutory organisations, as well as performances from the Brandon Trust, which is a charity supporting adults and children with learning disabilities and autism. Bristol City’s Poet Laureate Miles Chambers, singer Anthony Thegeya and St. Paul’s Carnival CIC.

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Best Man Project

The #BestManProject collects, shares and inspires the collective wit and wisdom of best mates all over the country. Check out the film, sign up and expect all sorts of tips and tricks on being a great best mate, direct to your inbox. More info here


Today I Stumbled Upon: Caudal

Caudal is a trio featuring Aidan Baker on guitar, Gareth Sweeney on bass, and Felipe Salazar on drums. Baker’s multi-layered, heavily affected guitar overlays Sweeney and Salazar’s driving, propulsive rhythm section creating music equally influenced by krautrock, post-punk, and spacerock. Their debut album “Forever In Another World” was released in April 2013 by Oaken Palace Records. Their second album “Ascension” was released on Consouling Sounds in 2014.

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Filtered Court