The future is bright. The future is Jools.
The future is bright. The future is Jools.
There is something quite refreshing about Slumb Party, although plenty of the old tricks can be found in their production. Influences from bands such as XTC and Gang of $ are plain to see in their DNA, but their own identity is not lost in the mix. This is a really, really good album and I feel we may hear more of Slumb Party once the 6 Music sent picks them up.
Sometimes you’ve just got to acknowledge you are late getting to a party. The Secret Cosmic Music of the East German Olympic Program 1972 – 83 is just an excellent concept and most importantly backed up with some truly exhilarating music. The narrative goes, “for the first time since it was recorded in East Berlin over 30 years ago, the music of Martin Zeichnete can finally be heard. A disciple of the Kosmische Muzik of the likes of Kraftwerk, Can and Neu! that was drifting across the Wall from the West, Martin’s idea of using the motorik, hypnotic beat of krautrock in the training of athletes was taken and exploited by the DDR’s Olympic Committee.”
My introduction, I have several memories that are managed over the years to blend together into a romantic melting pot of musical discovery. It is difficult to separate truth from fiction now, but the timing is pretty much self-evident. I know it was during a period of school exams, so I’m guessing it was around 1976 when my ears first discovered what I would get to know as Krautrock. That genre of experimental music, which had emerged in Germany in the late 1960s drawing influence from psychedelic rock, the avant-garde, electronic music, funk, minimalism, jazz improvisation, and world music styles.
I know some of the punk bands I was starting to listen too had referenced the likes of Kraftwerk, Neu and Can. My music teacher, Mr Bell had given me a copy of one of Kraftwerk’s early albums, which I still have to this day. Maybe, I’d subconsciously developed a liking for Krautrock as I listened to John Peel show on my radio while preparing for exams.
How my admiration for Krautrock developed I guess I will leave to my fond memories, no matter how clouded they increasingly become. Today, I’m happy to just stay behind the illusion of the Secret Cosmic Music of the East German Olympic Program 1972 – 83. I did start to do some research, but you know what? As we continue to consume ourselves a little piece of escapism, which transports us back in time to a period where things seemed a little bit simpler, black and white, may not be an altogether bad thing now and again.
Canzoniere Grecanico Salentino (CGS), formed by writer Rina Durante in 1975, a traditional music ensemble from Salento, Italy. The seven-piece band and dancer perform a contemporary style of Southern Italy’s traditional Pizzica music and dance. The track Lu Guistacofane is taken from their album Canzoniere. You would have to be pretty stiff from the waist down if you failed to move to this beat.
The sound of Lensmen occupies a personal space in my musical adventures. A space between my adolescence youth and early 20s, which is bookended at one end by the demise of Jim Morrison (1971) and at the other end the tragic death of Ian Curtis (1980). The shadows of these creative geniuses are cast large over the Lensmen’s output, so far. This is not by any means a criticism given I have admiration for any band or artist who wears their influences on their sleeves. The challenge of course always remains if they can utilise these influences and navigate the rocks of not simply becoming a pale intimidation or at worse a tribute band. While its early days and some of the tracks on offer are naturally raw you can get a sense of fresh musical ideas fermenting away, often bleak, but similarly fragile. Dark, yes, but with the craft of lyricist Alan Hughes, they have an emerging talent who like the aforementioned bookends were able to inject humour into their dark landscape. If Lensmen are able to navigate the rocks I see an interesting journey lies ahead. Enjoy.
In the crowded world of music production, I’m always on the lookout for artists and bands promoting their wears in an innovated way and with this in mind, the Arthr project recently caught my ears and eyes. The project is ‘born from a love of live performance, electronic and experimental music, alongside animation. The character Arthr represents the imagery, ideas, and creative identity behind the project, placed into real-world environments where he explores themes of nostalgia and time.’
The latest Arthr release is Whisperings of the World (featuring King Colobus), which also came in an elaborate limited edition cassette format (20 copies). Each cassette comes with a little self-made Arthr figure attached with only four (at the point writing) remaining for sale. You can see more information of this release by clicking here
The trials, tribulations, and frustrations of creating the little Arthr figures are captured in a recent blog message from the project, which you can read by clicking this link. You can also catch up on Arthr’s journey through nostalgia and time at the official You Tube where you can also see some of the creative background work going into building this fascinating project and concept, including live performances. Take a look, listen and Join the journey.
Born to a Belgian mother and an Italian father, Mélanie De Biasio a fan of groups like Nirvana composed in English. She played in several groups before focusing on jazz with the trio Harmadik Fül. During 2011 and collaborating with Avanti ASBL, De Biasio worked with prisoners in a creative process using voice, movement, breath and rhythm, which then led to a critically acclaimed performance in the prison.
Three 2017 releases, which have brought a smile to my face.
One: The No Action debut album finally arrived. Originating from Australia, No Action have delivered an Intense, lo-fi album reminiscent of a vintage 4 track deck cassette recording of a rehearsal held in a vacated industrial estate. A thing of beauty, which collects material from over a five year period and is limited to 250 pressing, or download.
Two: While we take stock of the dangerous clown occupying the Whitehouse helping to restore a bit of confidence in the land of the free this December we had a further mini-release from Mouth Reader. Eyes Sink adds to their conveyor belt of catchy punk releases. A glorious racket delivered in just under 3 minutes. Perfectly formed.
Three: Martha properly the best pop/punk band to emerge from my native North East for many a long cold night continue to set a high bar. 2014s Courting Strong and 2016s Blisters in the Pit of my Heart album releases are still subject to heavy rotation. Mini-release The Winter Fuel Allowance arrived in November. The 7″ limited release may be sold out, but you can still snatch a download.
Enjoy the noise.
Caudal is a trio featuring Aidan Baker on guitar, Gareth Sweeney on bass, and Felipe Salazar on drums. Baker’s multi-layered, heavily affected guitar overlays Sweeney and Salazar’s driving, propulsive rhythm section creating music equally influenced by krautrock, post-punk, and spacerock. Their debut album “Forever In Another World” was released in April 2013 by Oaken Palace Records. Their second album “Ascension” was released on Consouling Sounds in 2014.