Beautiful Shambles: Idles, Bristol SWX

16.10.18: Ding, ding, round two and back in the ring with Idles after first experiencing their rapturous performance on 8th April this year (here) at the Komedia in Bath. A lot has happened in that 6 months. A second album, which achieved a top-five slot upon release, a world tour,  TV/radio exposure and now a sold out UK tour, which has cemented them as the most essential band to emerge from these shores in recent years. It’s loud and fast here at SWX, Bristol as Idles rip through their set like the Village People on acid. Support is provided by the ever impressive Heavy Lungs. At the Bath gig, the live energy of the band carried them through their set, but here tonight with growing audiences their confidence is high and rightly so. It takes confidence for a band to bring audience members onto their stage, but it takes absolute confidence for band members to then hand over their instruments to audience members. The resulting noise is a complete shambles, a beautiful shambles, which adds to the raw energy of a band who are just on top of their game at the moment. There is a special relationship between band and fan base here. A relationship I’ve not seen since the heady days of punk in the late 1970s, or the stage invasions of early Smith’s concerts. Idles concerts are a celebration of positivity and life with all its faults and beauty. Something, so badly needed in an era where hate has become mainstream and fashionable. Tonight a rock band had their audience eating out of the palm of their hands, nothing new about that, but its rare in today’s over-produced, clean packaged musical output for a band to actually mean something beyond the product on sale. Thank fuck for Idles.

Today I stumbled upon: Canzoniere Grecanico Salentino

Canzoniere Grecanico Salentino (CGS), formed by writer Rina Durante in 1975, a traditional music ensemble from Salento, Italy. The seven-piece band and dancer perform a contemporary style of Southern Italy’s traditional Pizzica music and dance. The track Lu Guistacofane is taken from their album Canzoniere. You would have to be pretty stiff from the waist down if you failed to move to this beat.

 

Tom Waits & Marc Ribot: Bella Ciao (Goodbye Beautiful)

Tom Waits awakes from his hibernation with a collaboration with Marc Ribot. An anti-fascist folk song with an accompanying video, which also has a very strong anti-Trump theme. The track is taken from Robot’s album Songs of Resistance 1948-2018, which is due for release on 14th September 2018 via ANTI-.

Today I stumbled Upon: Arthr

In the crowded world of music production, I’m always on the lookout for artists and bands promoting their wears in an innovated way and with this in mind, the Arthr project recently caught my ears and eyes. The project is ‘born from a love of live performance, electronic and experimental music, alongside animation. The character Arthr represents the imagery, ideas, and creative identity behind the project, placed into real-world environments where he explores themes of nostalgia and time.’

The latest Arthr release is Whisperings of the World (featuring King Colobus), which also came in an elaborate limited edition cassette format (20 copies). Each cassette comes with a little self-made Arthr figure attached with only four (at the point writing) remaining for sale. You can see more information of this release by clicking here

The trials, tribulations, and frustrations of creating the little Arthr figures are captured in a recent blog message from the project, which you can read by clicking this link. You can also catch up on Arthr’s journey through nostalgia and time at the official You Tube where you can also see some of the creative background work going into building this fascinating project and concept, including live performances. Take a look, listen and Join the journey.

 

They Knew You Were Waiting

Friday night treat and a visit to the Louisana, Bristol to catch David Ford and Beth Rowley perform live. I must admit to a soft-spot for a songsmith and balladeer with the likes of Tom Waits, Tim Buckley, Nick Drake, etc being a constant feature in my adult music collection. I make no apology for rating Ford in this league. I’ve been a fan since stumbling a cross his 2005 album I Sincerely Apologies by pure luck in 2007. Beth Rowley, I’d come across intermittingly given her Bristol roots and her debut 2008 album Little Dreamer. Class acts separately they have the confidence and talent to make the craft of song feel easy while poignantly striking at your very rib cage. Ford and Rowley wove their respected sets together perfectly. Ford providing instrumental support to Rowley’s opening set and Rowley joining Ford for a number of duets. Finishing off with their “none-encore.” A reduced to its bones version of George Michael/Aretha Franklin “Knew You Were Waiting for Me.” Based on last nights performance one can only hope that more formal recordings and releases are in the pipeline. Dates for the remaining UK tour can be found here.

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Today I stumbled upon Melanie De Biasio

Born to a Belgian mother and an Italian father, Mélanie De Biasio a fan of groups like Nirvana composed in English. She played in several groups before focusing on jazz with the trio Harmadik Fül. During 2011 and collaborating with Avanti ASBL, De Biasio worked with prisoners in a creative process using voice, movement, breath and rhythm, which then led to a critically acclaimed performance in the prison.

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