Tag Archives: music

Felix Jupiter: SP1

One of those artists that are hard to define. One moment it’s a ballad to a lost friend, next it’s an ethereal sound painting. Felix Jupiter effortlessly combines non linearity alongside classic folk structure to produce an ad hoc fluid blend of psychedelic soundscapes. His music carries you through a web of sounds sometimes separate, but never far away, drawing you into his world and before you know where you are you’re captured.

13aX: Unquietly

The second instalment of the 13aX journey on Irregular Patterns. This track is called Unquietly. Loaded with chill out vibes and the continual search for a lost soul.

Tago Mago

February 2021 and it will be 50 years since the release of properly one of the greatest rock albums EVER. Tago Mago, by Can was recorded during November 1970, built around experimental sessions blending Jazz, Funk, tape editing and sampling, avant-grade. Released during February 1971 it was the band’s first album to feature Damo Suzuki after the 1970 departure of vocalist Malcolm Mooney. 

No. 4: Cuts – SOLD

Cuts released their second album Unreal on the Village Green label towards the backend of last year, a progression from the 2018 A Gradual Decline, album.

Unreal brings texted vocals and beats to the mix.  As one observer suggests Cuts are, “The sound of a world collapsing and it is sublime.” I could not put it better myself. The person behind the Cuts project is Anthony Tombling Jr.

Anthony’s work also ventures into the world of the visual arts, film-making and contributing to film soundtracks. Unit 3, where his film output materialises is a treasure trove of creative collaborations with community and campaign groups, as well as the likes of Alan Moore, Michael Sheen, Beak> and Massive Attack. The sublime soundtrack to the film Ex-Machina on Invada Records features Cut’s goose pimple raising Bunsen Burner track. A track that also brought the TV series ‘Person of Interest’ to its finale.

The Dinky model I used in this piece is from around 1951/2 and is not for sale given it already has an owner. The real Trojan vans, by the way, were manufactured in Croydon, London. They used diesel and petrol engines, as well as a revolutionary electric-powered version in 1951 known as the ‘Electrojan’. It may be difficult to comprehend that 70 years ago our grandparents were ahead of their time when it comes to alternatives to fossil fuel but, they did.

The Sound of Japan

Pretending to feel the warmth of sun rays on my neck, I walked from the garden to the kitchen my thoughts were distracted by the telephone. Having lifted the receiver I immediately knew Mysterious Vee voice was awaiting my ears. Her journey this time was the eclectic rhythms of the Japanese soundscape.

Synthesiser for the Devil

Mysterious Vee calls from a telephone booth in rural Punjab, Indian, and brings another collection of artists and tracks, some well known and some not so. Her theme in this episode of Lost In a Wide Open Field is an exploration of artists, some known and some not so, who have utilised the honourable synth.

Bone Machine

Released in 1992, Bone Machine was the 10th Studio album from Tom Waits.  Back in the early 90s music mags regularly featured a free cassette tape, which contained a selection of tracks from the recently released albums. This was my introduction to bone machine. A cassette, which included the track The Earth Died Screaming. Unlike CD’s or streaming devices, the cassette format made skipping between tracks a bit of an art form, especially when driving.

The effect of being pinned in your car, having to endure all types of music, you would not usually select with limited ability to skip tracks certainly helps educate your taste. By the way, the album cover was taken by Jesse Dylan, Sir Bob’s son.

16.12.19: The Magic Lantern & Pete Roe

Properly my last proper gig of the year, but ending on a high note. I realised tonight that I may have overindulged this year on what some may refer to as “difficult music.”   The essence of a beautiful song with its woven lyrics, delivered with real heart and sincerity was in abundance tonight at the Wardrobe Theatre, Bristol. The Magic Lantern and Pete Roe. Beautiful.

 

Today I stumbled upon: Slumb Party

There is something quite refreshing about Slumb Party, although plenty of the old tricks can be found in their production. Influences from bands such as XTC and Gang of $ are plain to see in their DNA, but their own identity is not lost in the mix. This is a really, really good album and I feel we may hear more of Slumb Party once the 6 Music sent picks them up.

16.05.19: Benjamin Zephaniah, Trinity Centre Bristol

A highly enjoyable evening with Benjamin, but there is a serious issue of people talking at gigs. I noticed it at the recent Massive Attack shows. A total disregard for artist and audience. Why these people just don’t stay at home, listen to a CD is beyond me. Apart from that Mr Zephaniah was in fine form. The band were tight and a genuinely enjoyable night, which reaffirms my belief that white people can’t dance and we tend not to look cool with dreads.