Author Archives: John Kerridge

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About John Kerridge

I have a camera, drink tea and trip on untied shoe​ laces.

Leafcutter John: The Cube, Bristol. 24.04.19

Revolutions are Made at 78rpm

30 minutes mix of digitally transferred phonograph records from the age of 78rpm, which changed the face of music forever and ushered in the age of rock n roll. Things would never be the same again with the exception that as then and as today the musician gets ripped off. Expect the odd crackle, pop and the unexpected. For those who went before and to those who stand on their shoulders. I salute you.

Before the East Fell: Cassette Punks

I recently stumbled upon a dusty box of old cassette tapes—handcrafted mixtapes I either recorded myself or swapped with friends back when I was about 16 or 17, sometime between 1977 and 1979. Now carefully digitized and uploaded here, these tapes open a raw, authentic window into the gritty DIY punk scene of the late 1970s.

The tracks on these recordings have likely been buried in obscurity for decades, featuring a treasure trove of bands from my native north-east — most of whom I was lucky enough to see live in those chaotic, electric days. When better-known groups appear, I’ve deliberately picked lesser-known cuts to keep the spirit underground alive.

As you might expect, the sound quality is a little rough around the edges—authentic tape hiss and all—but that’s part of the charm. So buckle up for 45 minutes of unfiltered noise and rebellion, captured at a time when the internet was still a wild dream, and punk was a loud, vivid reality.

Mix-Tapes

Vol.1: Leo’s Sunshipp, Pete El Conde Rodriguez, Johnny Hammond, Orchestra Harlow, Billy Stewart, Chuck Carbo, Robert Parker, Broadneck, Johnny Otis Show, The Gil Evans Orchestra.

Vol.2: Ofege, People’s Choice, Funkadelic, Edwin Star, Betty Davis, Lil Buck & The Top Cats, Skip Easterling, Cymande, Fabulous Emotions, Barry White.

Vol.3: Robert Belfour, Sly & The Revolutionaries, Charlie Louvin, Centers, The Lafayette Afro Rock Band, Afrissipi, The Selector.

Vol.4: Air, Mum, The Bees, 1 Giant Leap, Craig Armstrong, Moby, Badmarsh and Shri.

 

End Games

Realisation has a way of sneaking up on you—slow, almost imperceptible, yet wrapped tightly in the simplest form of common sense. For me, it came quietly toward the end of 2018, the moment I deliberately stepped back from social media groups, especially those sprawling Facebook communities. What began as hopeful spaces for open dialogue and genuine free speech among people with differing opinions had morphed into something far darker.

This past weekend, curiosity got the better of me, and I tentatively dipped my toes back into that digital ocean.

The calm I’d grown accustomed to over months evaporated instantly—like morning mist chased away by the harsh glare of the sun. Within hours, I was pulled into a whirlpool of toxic arguments, rife with intolerant attitudes and bitter resentments. One particular Facebook group felt less like a forum and more like a grim echo chamber—populated mostly by frustrated, angry voices, overwhelmingly white men, lobbing lazy, manufactured memes and personal attacks with the fury of children flinging custard pies. That’s where we’ve landed. Is this really the state of discourse in the UK?

We don’t talk anymore. Worse, we don’t listen. Instead, we shout louder, mock more viciously, and often seem determined to wound each other. Our nation feels splintered, like a fragile union trembling on the brink of collapse. Battles over identity rage at the extremes, while the silent majority looks away, burdened by shame and embarrassment. Meanwhile, the rest of the world watches in disbelief, trying to make sense of a once-proud country unraveling before their eyes.

And so, on that Saturday, I did something quietly radical. I switched off from the noise and digital chaos, stepped outside, and said hello to a complete stranger while walking my dog. Sometimes, that’s where true connection begins.