Canzoniere Grecanico Salentino (CGS), formed by writer Rina Durante in 1975, a traditional music ensemble from Salento, Italy. The seven-piece band and dancer perform a contemporary style of Southern Italy’s traditional Pizzica music and dance. The track Lu Guistacofane is taken from their album Canzoniere. You would have to be pretty stiff from the waist down if you failed to move to this beat.
The sound of Lensmen occupies a personal space in my musical adventures. A space between my adolescence youth and early 20s, which is bookended at one end by the demise of Jim Morrison (1971) and at the other end the tragic death of Ian Curtis (1980). The shadows of these creative geniuses are cast large over the Lensmen’s output, so far. This is not by any means a criticism given I have admiration for any band or artist who wears their influences on their sleeves. The challenge of course always remains if they can utilise these influences and navigate the rocks of not simply becoming a pale intimidation or at worse a tribute band. While its early days and some of the tracks on offer are naturally raw you can get a sense of fresh musical ideas fermenting away, often bleak, but similarly fragile. Dark, yes, but with the craft of lyricist Alan Hughes, they have an emerging talent who like the aforementioned bookends were able to inject humour into their dark landscape. If Lensmen are able to navigate the rocks I see an interesting journey lies ahead. Enjoy.
In the crowded world of music production, I’m always on the lookout for artists and bands promoting their wears in an innovated way and with this in mind, the Arthr project recently caught my ears and eyes. The project is ‘born from a love of live performance, electronic and experimental music, alongside animation. The character Arthr represents the imagery, ideas, and creative identity behind the project, placed into real-world environments where he explores themes of nostalgia and time.’
The latest Arthr release is Whisperings of the World (featuring King Colobus), which also came in an elaborate limited edition cassette format (20 copies). Each cassette comes with a little self-made Arthr figure attached with only four (at the point writing) remaining for sale. You can see more information of this release by clicking here
The trials, tribulations, and frustrations of creating the little Arthr figures are captured in a recent blog message from the project, which you can read by clicking this link. You can also catch up on Arthr’s journey through nostalgia and time at the official You Tube where you can also see some of the creative background work going into building this fascinating project and concept, including live performances. Take a look, listen and Join the journey.
Born to a Belgian mother and an Italian father, Mélanie De Biasio a fan of groups like Nirvana composed in English. She played in several groups before focusing on jazz with the trio Harmadik Fül. During 2011 and collaborating with Avanti ASBL, De Biasio worked with prisoners in a creative process using voice, movement, breath and rhythm, which then led to a critically acclaimed performance in the prison.
Caudal is a trio featuring Aidan Baker on guitar, Gareth Sweeney on bass, and Felipe Salazar on drums. Baker’s multi-layered, heavily affected guitar overlays Sweeney and Salazar’s driving, propulsive rhythm section creating music equally influenced by krautrock, post-punk, and spacerock. Their debut album “Forever In Another World” was released in April 2013 by Oaken Palace Records. Their second album “Ascension” was released on Consouling Sounds in 2014.
‘Imagining My Man’ by Aldous Harding, from the album ‘Party’. An artist of rare calibre and intensity. More information here