Pretending to feel the warmth of sun rays on my neck, I walked from the garden to the kitchen my thoughts were distracted by the telephone. Having lifted the receiver I immediately knew Mysterious Vee voice was awaiting my ears. Her journey this time was the eclectic rhythms of the Japanese soundscape.
As we mull the prospect of a successful vaccine and a return to enjoying live music. I would guess the artist I’ve seen more in concert over the years will be Johnny Dowd. On one occasion travelling from Bristol up to The Band Room (properly the greatest small venue on earth, according to the Hanson Family) on the North Yorkshire Moors. The Thunderbolt, Bristol, gig on the 19th October 2016 was also a particular joy too.
If you’ve never come across Johnny Dowd, his musical style may be difficult to define although the term maverick is often applied. Zappa, Beefheart, Waits, Cave and a big drop of wry, dry humour forced into a kitchen blender on full speed and left unattended to spin. Amongst his various release’s I tend to migrate back to the No Regrets album, 2012.
Mysterious Vee calls from a telephone booth in rural Punjab, Indian, and brings another collection of artists and tracks, some well known and some not so. Her theme in this episode of Lost In a Wide Open Field is an exploration of artists, some known and some not so, who have utilised the honourable synth.
Mysterious Vee presents over one hour of classic Krautrock from a telephone booth located in the centre of a Wide Open Field. 10 tracks spanning the genre, some have long been deleted and are fearlessly sought after by obsessive collectors. Including in this bunch, you will find an improvised nugget from Can during their a John Peel session in the 70s.