Canzoniere Grecanico Salentino

Canzoniere Grecanico Salentino (CGS), a vibrant force in traditional Italian music, was born in 1975 under the visionary guidance of writer Rina Durante. Hailing from the sun-soaked region of Salento in Southern Italy, this dynamic seven-piece ensemble, accompanied by a captivating dancer, breathes new life into the ancient rhythms of Pizzica — the fiery, hypnotic folk tradition that has echoed through generations.

With a unique blend of reverence and innovation, CGS transforms Pizzica into a contemporary celebration of sound and movement, where every note pulses with the heartbeat of Salento’s cultural soul. Their track Lu Guistacofane, featured on the acclaimed album Canzoniere, is a testament to their magnetic energy. It’s nearly impossible to stay still when this irresistible beat takes hold — you’d have to be downright stiff from the waist down not to get swept up in the dance.

 

Ólafur Arnalds: Bath Forum: 26.09.18

A Journey Through Silence, Sound, and Soul – From the moment Ólafur Arnalds steps onto the stage, it’s clear this is no ordinary concert — it’s a voyage. Between delicate, haunting melodies tonight, Arnalds shares glimpses into his world of constant travel and deep reflection. When not touring, he confesses, he escapes by wandering the globe, drawing inspiration from the places he visits. On this night, it was the Balinese Nyepi — the “Day of Silence” — a day when the entire island shuts down in quiet meditation. The irony isn’t lost on him when he jokes about taking a hot bath on Bath’s own Hot Bath Street earlier that day — a moment of surreal connection between his travels and the city hosting him.

But tonight’s experience goes deeper than travel anecdotes. Arnalds pulls back the curtain on his unlikely journey from hardcore punk drummer to one of modern classical’s most sensitive voices. He reminisces about his first visit to Bath in 2007, pounding the drums for the underground punk band Fighting Shit in cramped pubs. It’s almost impossible to reconcile that rough-edged past with the fragile beauty he now creates.

Yet, the seeds of this musical transformation were planted early, nurtured by the tender influence of his grandmother. The metal-loving, punk-thrashing Ólafur would sit with her, enveloped in Chopin’s sonatas, a stark contrast to his own youthful rebellion. He shares a poignant memory: at her deathbed, she lay frail yet serene, listening to Chopin one last time. “She was old and sick, but very happy and proud,” he says softly. “I kissed her goodbye and left. She passed away a few hours later.”

That intimate connection reverberates through tonight’s final piece — Lag Fyrir Ömmu (Song for Grandma). As the first notes fill the room, the full circle of his story settles over the audience like a warm embrace. It’s a fragile, evocative farewell that makes every note, every silence, profoundly meaningful.

Ólafur Arnalds’ music is a journey — through time, memory, and emotion — and tonight, it’s impossible not to be carried along.

 

Michael Nau & The Mighty Thread: Louisiana, Bristol: 24.09.18

Quiet Brilliance Unfolded

I first crossed paths with Michael Nau back in his early days as the frontman of Cotton Jones. Their 2009 album Paranoid Cocoon remains one of my all-time favorites, especially the hauntingly majestic track I Am the Changer—a song that still sneaks into my playlists when I need a quiet moment of wonder. Nau’s style feels effortless on the surface, almost casual, like he’s barely fazed by the world around him. But beneath that laid-back demeanor pulses the heart of a deeply gifted musician and songwriter.

Tonight, at the intimate Louie venue, I find myself drawn into that quiet magic once again. Michael Nau takes the stage with his band, The Mighty Thread, sharing songs from their self-titled new album—a collection of beautifully uplifting tunes that feel both timeless and fresh.

There’s something profoundly intimate about watching Nau perform live. It’s as if he’s gently inviting you into his world—a world where vulnerability meets strength, where simplicity reveals complexity. Each note and lyric hangs in the air like a whispered secret meant just for you.

For those yet to discover Michael Nau, tonight’s show is a warm invitation to lean in closer, listen harder, and experience music that’s quietly brilliant in every sense.

Check out the link below.

They Might Be Giants: SWX Bristol: 23.09.18

Quirky Legends Finally Land in Bristol

They Might Be Giants have always occupied a wonderfully strange corner of my music collection. I’ve adored their 1990 album Flood for decades — a brilliant, quirky tapestry of songs that range from the irresistibly catchy Birdhouse in Your Soul to the biting, timely anthem Your Racist Friend. That track, especially coming from a band across the pond, rings even louder in the age of America’s 45th President.

Their music has danced through the background of iconic TV shows like Malcolm in the Middle, scored the whimsical world of SpongeBob SquarePants, and earned them not one but two Grammy Awards, alongside a Tony nomination for Best Original Score. Despite all this, it took me years to finally catch them live.

Tonight, at Bristol’s SWX, Brooklyn’s self-styled ambassadors of love and eccentricity deliver their first hometown show for me — a two-set extravaganza spanning their vast back catalogue and fresh tracks from their upcoming album. The result? A storming success.

There’s humor at every turn, musicianship tight and playful, and a sense of camaraderie that feels as genuine as it is effortless. A highlight is their playful dubbing of Aerosmith and Run DMC’s classic Walk This Way video — a cheeky nod that delights the crowd and showcases their clever wit.

If you haven’t yet experienced TMBG live, do yourself a favor and catch them on tour (dates and info linked below). Walk away with anything less than a sly smile and a spring in your step the next day? Then, my friend, you might just need professional help.

 

 

Rough Grain

Dramatic clouds, seagrass bending too the breeze. The warm ceramic cup between the tips of fingers, I took a sip of black coffee. The melancholic mood of Sunday morning’s interrupted by the reality of life. The noise of parents seeking desperately to control their offspring, making demands, they surrender, and staff behind a makeshift counter rapidly took orders, shouting them through to a small kitchen where a large lady made a note.

Driftwood retrieved from the sea on display, clumsy art, the smell of fried food. Through the window, I’d noticed she had been stood there for quite a while. On the sand dunes, still, just staring out across the waters, motionless. Her silhouette set against the sky. Is she playing with memories? Looking down at my coffee, I take another sip and a trail of old cup stains ground into the rough grain of the bench. Each cup mark representing somebody, who sat here and no doubt pondered the universe.

Aasma was her name. She had explained in struggled, broken English,  She asked “please time” as she sat on the nearby bench alone. Her demeanor, as if waiting for a train, flight or ferry. “Have a nice day” I said as she exited the beach cafe. “Thank you” she replied, before making her way up the sand path to the water’s edge. A silent sadness followed her steps. An intense sense of solitude.

I had noticed she had bent down as if to tie shoelaces, then standing upright, she calmly placed her hands on her face, turned and made her way back down the path and passed the cafe window, which I sat behind. A small nod of acknowledgment from each other and she was gone.

Leaving the cafe, inhaling the sea air, the sound of waves in the near distance and seagulls screaming their constant hunger I made my way up the sand path to where she had stood. Looking across the seas, no lands were in view to these naked eyes. Nestled in the sand, where she stood, 3  separate pebbles lay on the stems of 3 carnation flowers.

Tom Waits & Marc Ribot: Bella Ciao (Goodbye Beautiful)

Tom Waits emerges from his artistic hibernation with a striking new collaboration alongside the legendary guitarist Marc Ribot, delivering a raw and powerful anti-fascist folk anthem. The song, drenched in gritty emotion and defiant spirit, is accompanied by a visually compelling video that cuts deep, delivering a bold and unflinching critique of the Trump era.

This fierce track is featured on Songs of Resistance 1948-2018, a thought-provoking album set to drop on September 14, 2018, via ANTI-. The record serves as a rallying cry, weaving decades of protest and resilience into a sonic tapestry that challenges the status quo and reminds us all of the enduring power of music as resistance.

With Waits’ gravelly voice and Ribot’s jagged guitar lines converging, this collaboration stands as a testament to the relentless spirit of dissent—a soundtrack for a time when courage is more necessary than ever.

Lensmen: Navigating Shadows Between Legends

The sound of Lensmen holds a deeply personal space in my musical journey—a liminal zone straddling my teenage years and early adulthood, framed by two towering, tragic losses in rock history: the death of Jim Morrison in ’71 and Ian Curtis in ’80. The shadows cast by these enigmatic, tortured geniuses loom large over Lensmen’s work, a haunting presence felt in every raw note and dark lyric.

But make no mistake—this is no mere criticism. Far from it. I have immense respect for artists who wear their influences on their sleeves, unafraid to let the ghosts of their musical forebears seep into their sound. The true test lies in their ability to transform these inspirations into something vital, to navigate the perilous waters between homage and mimicry without capsizing into tribute-band territory.

Lensmen, though still in their early days, offer glimpses of something stirring beneath the surface—a brooding ferment of fresh ideas that balance bleakness with fragility. Their music is a shadowed landscape, but within it glimmers the sharp craft of lyricist Alan Hughes. Like Morrison and Curtis before him, Hughes injects a surprising streak of dark humor into the mix—a vital spark that breathes life into the gloom.

Yes, Lensmen’s sound is raw, sometimes jagged, but beneath the rough edges is an emerging talent carving out their own space in the musical twilight. If they can steer clear of the rocks ahead, I believe Lensmen have a compelling, intriguing journey unfolding before them.

This is just the beginning. Stay tuned—and enjoy the ride.